OZONE Asylum
Forums
Multimedia/Animation
Premiere tutes/resources
This page's ID:
11415
Search
QuickChanges
Forums
FAQ
Archives
Register
Edit Post
Who can edit a post?
The poster and administrators may edit a post. The poster can only edit it for a short while after the initial post.
Your User Name:
Your Password:
Login Options:
Remember Me On This Computer
Your Text:
Insert Slimies »
Insert UBB Code »
Close
Last Tag
|
All Tags
UBB Help
There isn't really any sort of order you want to use them in but if your output from primer is compressed in any form then you should do your special effects first as blue/green screen compositing is a bitch to do if you have compression artefacts. But if you?re outputting as a DV stream or you want to process something on a global level then you'd use it afterwards. Although my process usually goes something like this: > Cut rough master in Final Cut Pro. (Final Cut is basically just like Premier; I just think it?s a nicer app) > Identify the sections that need special processing and go back to final cut to fine tune the editing. Export that sequence as a DV stream (or any un-compressed format or your choosing). > Process special features in after effect then take that sequence back to Final cut Pro. Although for simple tweaks like contrast or colour compensation between footage from different cameras I'd usually use Final Cut Pro. Although Photoshop comes in handy when you need to colour match footage. If you?re using two cameras then make sure you get each camera to film one particular object in your scene from the exact same position so you can export stills to PS and then use the eyedropper to get the numbers you need to compensate your colour channels with.
Loading...
Options:
Enable Slimies
Enable Linkwords
« Backwards
—
Onwards »