Topic awaiting preservation: Screen/Gradients? |
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Author | Thread |
Maniac (V) Inmate From: The Land of one Headlight on. |
posted 06-02-2003 22:01
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Paranoid (IV) Mad Scientist From: 8675309 |
posted 06-03-2003 02:19
Screens at the proper resolution in PS are really no different then those in a vector program - qualitywise. In a pixel program, it's made of pixels and sometimes it helps to add a little noise, do a guassian blur, etc. Gradients can band (this is when you see strips of color instead of a smooth transition) badly at times, and ones created in a vector program can be extremely problematic (from my experience). Either way, ever RIP, output device, line screen, etc. is different and sometimes it just takes a little trial and error. You can always ask to see a proof from the people creating the film for the ad. That will be your best representation. |
Maniac (V) Inmate From: The Land of one Headlight on. |
posted 06-03-2003 02:43
Thanks Jen =) Helps a whole bunch and makes sense in what's left of my tiny little mind. |
Paranoid (IV) Mad Scientist From: 8675309 |
posted 06-03-2003 03:10
You can save as a pdf from PS or Illustrator! |
Maniac (V) Inmate From: Boston, MA, USA |
posted 06-03-2003 05:00
"I've been told that to be safe I should not go much above a 20 percent screen for any gradients I might use." Who told you this? The newspaper? I think it's possible there is some confusion in the term "screen". When applied to offset printing, the term line screen refers to how many halftone dots there are per linear unit: for instance, "dots per inch" if you use inches. That use of "screen" has nothing to do with tonal values in the image. I'd be careful with gradients - the newspaper dots are too coarse to render gradients with much subtlty. |
Bipolar (III) Inmate From: Mpls, MN |
posted 06-03-2003 06:59
Jeni, is correct. They are suggesting that your gradient should read no more then 20% most likely to prevent problems with dot gain. My guess that since midtone dots 30-75% gain more then other tones it's safest to produce your gradents below the midtone level. There for you will not get odd banding effects. |
Maniac (V) Inmate From: The Land of one Headlight on. |
posted 06-03-2003 15:26
Thanx folks. Made my life easier. The person at the paper I was talking with had me a bit confused (very easy task) when he said: "What you call a gradient - - we call a screen." Then he went on to the percentage bit. |
Bipolar (III) Inmate From: Raleigh, NC |
posted 06-12-2003 00:55
Very helpful and interesting. I should take the time to learn how to add things to the FAQ |
Maniac (V) Inmate From: Den Haag: The Royal Residence |
posted 07-01-2003 01:14
Working in a printshop i have to agree with Jeni and JstuartJ. The best thing you could do to make printers (usiing press or HQ digital printers) happy is creating an .pdf with all the font-types included and the images in a high enough (150 -300 dpi) resolution. Also read and reread the te text's to find (stupid)mistakes and typo's. Finally check the colors and the positioning from everything. Then send the pdf to the printer. Why all this checking you ask? I is not easy (without the right plugins nearly impossible) to change much in a .pdf file. You can make changes better with the original program. |